Moving between representation and abstraction, the past and the present and the most grandiose and incidental of subjects, the paintings of London-based Tim Braden (b. 1975) are a restless celebration of the art of making, and the making of art.
Spanning over twenty years of Braden's practice, this book celebrates his mastery of colour and composition in both abstract and figurative form. His work addresses subjects ranging from the natural landscape to the great artists of the twentieth century, as well as makers and artisans from every corner of the world.
This publication, the second monograph on Braden's work, includes writing by curator Matt Incledon, and abridged essays by writer and critic Thomas Marks, writer and editor Jennifer Higgie and curator Dominic Molon.
