Hannah Brown b. 1977, Salisbury, England

Lives and works in London

 

-       Education

 

2004-06        MA Sculpture, Royal College of Art, London, UK 
2002-03        PGCE Art and Design (14 - 19), Institute of Education, London,

                       UK

1996-99        First Class BA Hons, Fine Art Sculpture, CSM, London, UK

1995-96        Art and Design Foundation Course, Exeter College, Devon, UK

 

-       Solo and Two-person Exhibitions

 

2022    I Stood Still, Frestonian Gallery, London, UK

2020   This Muddy Eden, Two-person show with Christopher Orr, Broadway

            Gallery, Letchworth, UK 

2019   Before Long, Union Gallery, London, UK

2017   Nocturnes, Cross Gallery, Dublin, UK
            Lain fallow for too Long, dalla Rosa gallery, London, UK 

2016   Finding Forms, Two-person show with Cara Thorpe, Cross Gallery,

            Dublin, IE
2015   A Lane to the Land, PayneShurvell at 71 Blandford Street, London, UK 
            Not Just Yet, Cross Gallery, Dublin, IE 
            The Winter Girls, Milton Keynes Arts Centre, Milton Keynes, UK 

2014   Hannah Brown: Selected Paintings, PayneShurvell at The House of St
             Barnabas, UK

2012   The Unseen Landscape, PayneShurvell, London, UK

            Time Hangs Heavy, The China Shop Gallery, Oxford, UK

2011   Encounter, two-person show with Gary Colclough, Gallery Primo
             Alonso, London , UK

2009   Hannah Brown, Vital Arts at Barts Gallery, London, UK

2006   Hannah Brown, Gimpel Fils, London, UK

2004   Life and Love, Great Eastern Hotel, London, UK

 

-       Selected Group Exhibitions

 

2021   Unkempt – Shifting Aesthetics in Landscape Painting, Messums
            Wiltshire, UK 

            Companions, Union Pacific, London, UK
            John Moores Painting Prize 2020, Walker Art Gallery, Liverpool, UK 

            Holding Hands, Union Gallery, London, UK
            The Deepest Shade of Green, Saolta Arts and Galway 2020, Galway, IE
2020   The Green Fuse, Frestonian Gallery, London, UK

            Everyday, curated by Ben Walker, Terrace Gallery, London, UK 

2019   Betwixt and Between, Arthouse1, London, UK 

            The Immaculate Dream, Collyer Bristow, London, UK 
            Flat + Earth, Sidney and Matilda, Sheffield, UK
2018   The London Open, Whitechapel Gallery, London, UK

             LAND//SCAPE, Lone Wolf Projects, Exchange Berlin, Kuehlhaus, Berlin, DE
             Kristian Day Papercuts, Saatchi Gallery, London, UK 
            The Annotated Reader, curated by Ryan Gander and Jonathan P Watts, Cork
            Street Galleries, London, UK
            The Waiting Room, curated by Karen David, Wimbledon Space, London, UK
            Ash Archive, The Brewery Tap, Folkstone, Kent, UK
            New Relics, curated by Kate Terry and Tim Ellis, Thames Side Studios, London, UK 
            Mindscapes, bo.lee gallery, London, UK  
2017  The Arborealists: The Art of Trees, Bermondsey Project Space,

            London, UK 

            Below the Surface,  OVADA, Oxford, UK 

            A Table of Elements, Curated by Graham Crowley and Juilan Perry,
            Greystone Industries, Suffolk, UK

            Silence Un-scene, Lewisham Art House, London, UK 

            A5-n, dalla Rosa gallery, London, UK
2016   Solid Gone in the Back Room, Holdrons Arcade, London, UK

            Landing, Kristian Day at Herrick Gallery, London, UK

            Marmite Prize for Painting, Block 336, London and Highlanes Gallery,
            Drogheda, Ireland, IE

            The Arborealists, St. Barbe Museum and Art Gallery, Lymington, UK
2015   Blow Up, Parafin, London. UK

            London Painting Survey, Barbican Arts Trust, London, UK 
            The Arborealists, Mottisfont Abbey, Hampshire, UK
            The East London Painting Prize, Bow ArtsTrust, London, UK

2014   Five Painters, Cross Gallery, Dublin, IE

            The Discerning Eye, Mall Galleries, London, UK
            Arboretum, Royal West of England Academy, Bristol, UK
            The Ruskin Prize Recording Britain Now, at Millennium Gallery,  
            Sheffield and Trinity Buoy Wharf, London, UK
            The East London Painting Prize, Bow ArtsTrust, London, UK
            This Bright and Guilty Place 2, PayneShurvell at the Hospital Club,
             London, UK 

2013   The Threadneedle Prize, Mall Galleries, London, UK
             Summer Exhibition, Royal Academy of Arts, London, UK
             Group Show, The China Shop Gallery, Oxford, UK
             At the Edges, Angus-Hughes Gallery, London, UK

2012   John Moores Painting Prize 2012, Walker Art Gallery, Liverpool, UK
            Alter, Vegas Gallery, London, UK
            Hello and Goodbye, 17-25 Cremer Street, London, UK 
            Launch, A-Side B-Side, London, UK 

2011  The Threadneedle Prize, Mall Galleries, London, UK
            Creekside Open 2011, Selected by Phyllida Barlow, APT Gallery, London, UK
            Modern British Sculpture, Gimpel Fils, London, UK

2010   Legacy 1, L.I.U, London, UK

2009   Arctic Fox , Vulpes Vulpes, London, UK
            Clearout, Globe Gallery, Newcastle, UK
            Creekside Open 2009, Selected by Mark Wallinger, APT Gallery, London, UK
            Start Your Collection, Contemporary Art Projects at Islington Art fair, London, UK

2008   Start Your Collection, Contemporary Art Projects, London, UK
            Suffragette City, The Spare Room, London, UK
            '00 Nature, Contemporary Art Projects, London, UK

2007   Downstairs Review, Gimpel Fils, London, UK
            Start Your Collection, Contemporary Art Projects, London, UK
            Private Prop, The Residence, London, UK
            Winter Show, Contemporary Art Projects, London, UK
            MA and other Post Graduates, Atkinson Gallery, Millfield, Somerset, UK

2006   Day-to-Day Data, Danielle Arnaud Contemporary Art, London, UK
            Between Place and Space, Blyth Gallery, London, UK

2005   Dyscotopiary, Hockney Gallery, Royal College of Art, London, UK
            Day-to-Day Data, Angel Row Gallery, Nottingham, UK
            Day-to-Day Data, Aspex Gallery, Portsmouth, UK
            Short and Sharp, Royal College of Art, London, UK
            Gone in 60 Seconds, Café Gallery Projects, London, UK

2004   Shop!, IMT, London, UK
            Damn Fine Cup of Coffee, Discotheque group show, London, UK
            Flat 1, Discotheque group show, London, UK
            Love N Bullets, Transition Gallery, London, UK

2003   Spike Island Fayre, Spike Island Gallery, Bristol, UK
            Render Red Nose, MOT, London, UK
            Brand New Letchworth, B+B on tour, The Place, Letchworth, UK
           Et Tu Billy Buzman!, Nancy Victor Gallery, London, UK
           Artist as Entrepreneur, The Place, Letchworth, UK

2000  21, Spacex Gallery, Exeter, Devon

1999  Directions, Lethaby Gallery, London
           Readymade Project, Wunderkammer, London
 

-       Publications and Press
 

2018   London Open: a snapshot of the artistic zeitgeist, Financial Times, 09.08.18 by
            Rachel Spence 
            Whitechapel open to what’s happening now, Morning Star, 26.06.18 by Michal

             Boncza

2017   The Arborealists: The Art of Trees, The Observer, 31.12.17 by Rachel Cooke
            The artist who prompts us to ask: what are we missing? The Irish Times, 18.12.17

             by Adrian Dunne 

2016   Hannah Brown, Floorr Magazine Issue 6, 30.09.16
            The Aborealists, The Art of the Tree, Sansom and Company

2015   A Form of Making, Turps Banana magazine, Issue15 by Graham Crowley
            I don't like art, collected essays and interviews, Graham Crowley 
            Uncertain prospects and a park that keeps secret
s, The Irish Times, 19.05.15 by

            Aidan Dunne 

2013   Landscapes that Pass Over in Silence, The Huffington Post, 2.03.13 by James

            Payne 
            At the Edges, Exhibition catalogue with essay by Graham Crowley 
            Review of At the Edges, a-n Interface 

2012   John Moores Painting Prize 2012, Exhibition catalogue, National Museums

            Liverpool
            Hoxton and Shoreditch Contemporary Art Reviews ArtLyst, 10.11.12 by Emily

            Sack
            The Unseen Landscape, Diva Magazine, 05.11.12 by Anna McNay
            Critic's Choice, Time Out London, 10.10.12 by Helen Sumpter

2008  Editorial, The Guardian, 02.07.08

2005  Day-to-Day Data, Exhibition catalogue, Angel Row Gallery, 2005 
           The Guide, Guardian, 23.07.05 by Robert Clark

2003  Et Tu Billy Buzman!, Time Out London, 30.07.03 by Rebecca Gelard
           Sleazenation, July 2003 by Alasdair Hopwood

           The Guide, Guardian, 14.06.03 by Jessica Lack

1999  21, Spacex Gallery, Express and Echo, 11.12.99 by Jason Woolfe


-       Awards and Commissions

 

2019  Hospital Rooms commission, Hellingly Centre, East Sussex 
           Dentons art prize - staff winner 

1996  Exeter College Purchase Prize

 

-       Collections

 

V&A, London 
Office of Public Works, State Art Collection, Ireland 
Barts Hospital Collection, London 
Cleveland Clinic, Ohio
Private collections in UK, Ireland, USA, Canada, Korea, Switzerland, China, and U.A.E.